269 entries.
wrote on 28 May 2017
at
20:44
My watercolor workshop leader taught us about the acetate. However, a word of caution: I rolled mine up to take home. It completely stuck together and I couldn't unroll it.
It really helps with problems in paintings to use the acetate! Just store it flat!
wrote on 28 May 2017
at
14:06
Thanks Robyn, it is always difficult to decide when a painting is done. Some you often see are far from done, while others really are overworked. A friend on facebook said "maybe you could add some birds"? Well that is a nice thought!
My teacher Kees van Aalst learned me, the first 5 till 10 cm in a painting must happen absolutely nothing. Nothing on he edges, nothing in the corners! regards Edo
wrote on 28 May 2017
at
13:59
Bedankt Willy, Als je het in het nederlands wil lezen, moet je op het oranje radertje klikken. In het midden kun je bij het rolmenu Nederlands kiezen, en dan is het artikel min of meer vertaald. (zie foto hieronder) groet Edo
http://www.edohannema.nl/wordpress/wp-content/uploads/Schermafdruk-2017-05-28-15.47.58.png
wrote on 28 May 2017
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13:25
Na drie keren lezen ,vond ik het waarheid ,ik vind het prachtig geschreven !!!!!
wrote on 28 May 2017
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13:24
What a brilliant idea! I am undecided whether I like the addition of the darker shadow or not. I feel that it does add more contrast to the painting, but as you have already observed that lovely summery feel is somewhat lost and perhaps the foreground becomes too much of a focus. But having said that............what would I know! LOL
wrote on 30 April 2017
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11:16
He is very good! And very relaxed person!
wrote on 30 April 2017
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11:13
Hello Mr Featured, off course you can make a article on your blog! Thanks in advance let me know when you are ready! regards Edo
wrote on 29 April 2017
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20:29
Such a Master. Always love his works.
wrote on 29 April 2017
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20:08
Hi Edo! I love these videos. I just started a little blog on my journy into watercolor.
https://projects1961.wordpress.com/
I hope you don't mind if I share some of your work and these videos on my blog. Thank you, this helped tremendously. Look forward to looking over your work and this blog some more.
wrote on 8 March 2017
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00:23
Thank you Edo.
wrote on 6 March 2017
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16:53
Well My voice sounds weird to me, but that is something with own voices I think!
I have a lot of palettes, artists are collectors of painting items haha! Thanks John!!
wrote on 6 March 2017
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16:51
Hello Robyn, yes Winsor Blue green shade is best to make cool grays with Alizarine Crimson or any other cool red. and A transparent Yellow, I use Aurolien, but any transparent yellow is good! new Gamboge or Lemon yellow
ps The red is from origine Rose Madder Genuine, but that is a very weak and expensive pigment!
So Alizarine or Magenta is a good alternative.
Next time (greens) 😉
wrote on 6 March 2017
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16:49
Thank you very much Garry! Glad you liked it! There is more to come for sure!!
wrote on 6 March 2017
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02:44
Hi Edo,
I'm glad I found you! Very practical and helpful information. Looking forward to learning more from you! Thank you!
wrote on 6 March 2017
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02:36
Edo, which red and which yellow are you using when you mix with the blue? I think that is with the Windsor Blue (or similar) Thanks.
wrote on 3 March 2017
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22:30
Thanks John!! Well a voice sound strange when you hear yourself back. But my wife says its really you haha!
wrote on 3 March 2017
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14:08
Hi Edo - nice to see your colours and your John Pike palette - and to hear your voice too!
wrote on 27 February 2017
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18:39
Bette, thank you very much. It was a try out, I like to do more of these mixing demos. But on a higher level.
wrote on 27 February 2017
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05:41
Hi Edo, think I left this comment in your guest book. Language difference is sometimes a barrier. I just wanted to tell you that you gave a very nice presenataion on your palette....well done!
Bette
wrote on 26 February 2017
at
14:18
Thank you very much! When its planned ahead you can go like a train! 😉